For historian Mark McKenna (From the Edge: Australia’s Lost Histories) music and writing are intimately connected. Exploring the relationship between music and the literary imagination, Mark poses some interesting questions. Why do some writers require music, and others need silence? Do particular kinds of music enhance particular kinds of writing? Can music improve our capacity for insight? And could there be parallels between various musical interpretations of the same score and historians’ different interpretations of the same document?
Supported by the University of Sydney.